Wandering in the Labyrinth (Thoughts During a Long Illness)

“There are a lot of nasty viruses out there,” my doctor told me recently. I was in her office because I had one of them. “Every morning before we come to work, we take a deep breath to prepare ourselves for whatever we might be facing that day.” When I told her how much I appreciated her, I cried. 

I partly blame my blubbering on my illness. And partly because, well, that’s me. I’m a blubberer. Sad, happy, grateful; in my world, all strong emotions trigger tears. Plus, the medical profession has taken a big hit from the trauma of the Covid years, and I’m so glad my PCP is still there for me. Many others have retired or fled. 

But back to my diagnosis: Labyrinthitis. It sounds kind of mystical and magical, doesn’t it? I’m in a labyrinth, a maze of sorts, a fantasy world where anything could happen. In truth however, it is not mystical or fantastical. Not in the least. It is clogged up ears (did you know you have a part of your inner ear called a labyrinth? Now you do), plus dizziness, inability to focus, and for a few horrible, hellish hours early on, vertigo. It started with a bad cold, one month ago today. The plugged ears came a few days later. They still haven’t cleared. 

“It could take weeks,” my doctor told me. “Possibly even months.” When I Googled it, I was assured that “most people fully recover within a year or two.”

I am not completely deaf, but the world is exceedingly muffled. It’s like my head is underwater at the same time I’m trying to navigate my way through a world of cotton batting. I mostly stay at home, trying to rest and recover, but now and then I venture out, trying to feel “normal,” and feel dismayed because I can’t fully depend on one of my critical senses. (Apologies again to the woman in the grocery story I backed into because I had no awareness that she was behind me. As I stumbled away, embarrassed, that made me cry, too.)

It is hard for me to do any writing in the labyrinth. It is hard to make art. In general, it is hard to focus on anything. Coloring books help. When I’m feeling particularly woozy and lethargic, I watch TV with close captioning to while away the hours until I am better. My favorite show lately is “The Great Pottery Throwdown.” But when that sweet British judge Keith gets choked up over someone’s work, I cry too, and Lord knows I don’t need to generate any more moisture in this noggin of mine. 

A glimmer of silver lining: As a result of this diagnosis, I decided it to do some research into Labyrinths. Being of a spiritual bent, I am intrigued by the potential of labyrinths as meditation tool. At the moment, I don’t know of any outdoor, actual labyrinths to walk near me, but the research is uplifting, and I’ve enjoyed printed-page labyrinths that I’ve traced with a pencil. Although the goal is to meander to the center of the labyrinth and then back out again to contemplate how the journey has impacted you, it didn’t make sense for me to leave. And so I remain there, in the center. 

Sometimes it’s a lovely, quiet, restful place. To count the many blessings in my life. To empathize with others who find themselves suffering from hearing loss or simply a need to rest because of physical challenges. Still, I look forward to the day when I can find my way out of the labyrinth and see what I have learned from the journey.

Does anyone reading this have a labyrinth story to share? Either of a literal labyrinth, or an experience that has felt like this? I would love to hear from you.

In the meantime, I send greetings from within the labyrinth.

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It Seems to Me the Good Things Come in Whispers

It seems to me the good things come in whispers. Soft, like a breeze in a garden, making flowers nod their heads and bees hold on tight for the ride. Just a gentle nudge that says life, life, and more life. These things are good and simple. 

Can a heavy boot come along and squash the flowers to the ground, grind the bees into the dirt? Sure. It’s not hard. A lawn mower could come and decapitate every one of those flowers. A bulldozer could rip up the land and turn it into a parking lot and none of those flowers or the bees would whimper a single audible protest. 

It’s easy to smash down what is quietly sweet and possesses a fragile sort of power. So why do I sometimes imagine that my one voice might help tilt the world toward love and compassion? It’s too easy to destroy my voice, to destroy me. Power is a beast, a dragon, with cruel intentions. If sweet good things are in the way of power and money and corruption, we have few avenues to fight. And progress is painfully slow. Corruption is terrifyingly swift. 

I still choose what is sweet and good and quiet because it is the only thing that soothes me. A million flower seeds will wait in that soil when the bulldozers drive away. One day, when the change of seasons has split the asphalt, the sprouts will seek sunlight and push their way through the cracks; gentle opportunists. Survivors, sweetly and silently triumphant.

And then the bees will come.

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I Used to Sing in a Rock Band

I’ve been wondering lately what I should put on this page to update it. (Because it’s been a while and I feel bad–people still do check in on me from time to time, which I appreciate!) So I decided to share something fun: I used to be in a blues rock band called the Benjamin Road Band.

The inspiration for this post is simply that I happened upon a few former bandmates (hello Eric Wells and Dave Wright!) from the Benjamin Road Band recently at a favorite restaurant, and it has reminded me of this amazing, fun, exciting time in my life, which occurred about 12 years ago. But happened.

I mean, WHAT? I was lead singer in a BAND? I actually got to do this? They let me??

It’s not like we got famous outside our own circles or anything, (even though—cough—I’m proud to say we performed for six and a half solid years and were finalists in the Boston Blues Challenge of 2011), we were still middle-aged folks having fun in a cover band. And although we were on TV, it was local access with incorrect graphics at the beginning. (No, were were not a Rolling Stones cover band.)

But there’s no denying it was our sweet, modest claim to fame, and well worth our time and energy and dreams and even the occasional angst. We had a really good run.

And yes, it is fun to look back and remember.

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Trying Not to Write. So I Can Write.

I am taking off the month of April. At least, this is my plan. 

Although technically it seems I’m already violating my plan by writing these words here and now, this is writing, as opposed to WRITING. There’s a difference.

I’ve been working on what feels like a VERY IMPORTANT WRITING PROJECT , one that has been percolating and haunting and torturing me for almost ten years now. Recently, I got very serious about finishing and polishing this project. I enlisted constructive feedback from mentors and trusted fellow writers and took many classes to refine my craft, and although this input is extremely helpful, I find myself…in a word… 

Paralyzed.

There are too many voices in my head. Too much instruction. 

Is this how it works for some of us? The more we write, the more we learn about the craft and structure and secret inner workings of writing, the harder we try to get it right, the more impossible it is…to actually write? 

The good news is that I know what my problem is. I am right-brained. An ENFP. A Gemini. (If any of that matters.) My jam is intuition and gut-feels and expansive skin-tingling soul emotions. 

So I’ve come to the conclusion there is only one thing I can do. 

I need to stop trying so hard. I need to find my JOY. 

To re-discover the MAGIC.  To trust my intuition and imagination and heart tugs.

We’re not playing to win. We’re playing to play. And ultimately, playing is fun. Perfectionism gets in the way of fun. A more skillful goal might be to find comfort in the process...Setting the bar low, especially to get started, frees you to play, explore, and test without attachment to results. This is not just a path to more supportive thoughts. Active play and experimentation until we’re happily surprised is how the best work reveals itself.

From The Creative Act: A Way of Being, by Rick Rubin.

Last week, I took an impromptu walk around Walden Pond and fell in love with awakening emerald moss, lacey gray-green lichen, the majestic repose of a dead branch with curling bark, and last fall’s oak leaves in the shallows, magnified in clean cold water that rippled in the sunlight. This helped. 

I started working on a collage, ripping up patterned papers, ancient sheets of music and an old National Geographic magazine, to create messy images that please and inspire me. This too, is helping.

I’m reading for fun instead of research. Dancing with my grand-baby in the kitchen to songs I make up for her on the spot. Writing journal entries with zero stakes that make me feel free. Writing this. 

It is Spring. Nature is waking up, and so I hope, is my joy. 

No more work. It’s time to play.

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BEING HENRY DAVID: The Movie!

Full disclosure: Being Henry David is not in theaters…YET. But here’s the exciting news: I have taken the first step.

Being Henry David is officially a screenplay!

This was a project born of Covid isolation, when we became intimate friends with Netflix and Prime and Hulu and HBO and I thought to myself, “Huh…they need a lot of content to create all these shows for all these channels. Why not try my hand at adapting BHD to film?”

And so, dear reader, I did it. I took a bunch of classes through the Gotham Writing Workshop online and via Zoom. (They are fabulous, by the way. Shout out to instructor C.C. Webster and my tough, discerning, but encouraging classmates!) And it was HARD. I was humbled by how much I didn’t know about screenwriting, and how different it is from writing novels. Then, when I got Covid myself this past May, the silver lining of that long isolation was that I finished the first full draft. I’ve been polishing it obsessively ever since.

Last night, I gathered together a small group of dear friends, most of them seasoned community theater folks, and we did a read-through of the script. It was AMAZING! In addition to it being fun, it was helpful. (Gotta get my red pencil out and do a few more tweaks.) And, a cool fun fact: One of them, Rachel Crane, was one of the first readers of Being Henry David when it was first published in 2013 and she was a middle school student, and this year she graduated from (get this) film school! We had such a great time talking about the excitement and challenges of screenwriting and the “biz.”

Here are a few photos…including a cheesy one of me slapping shut a pretend clapperboard (I had to look up the proper term for that thingie just now…) before shouting “ACTION!” Plus, my cast of fabulous friends and the movie snacks. Yep, I love me a party theme.

So….I am doing this. I’m currently moving forward with this script, making my first connections in the industry, and learning more every day. Obviously, I will keep you posted as things progress!

Wish me well, AND HEY, if you happen to have any connections in the movie business, someone who might find it intriguing that an acclaimed award-winning YA novel has been adapted for film by the original author of said YA novel, please feel free to drop me a note at cal.armistead1@gmail.com.

Hey, it’s a tough business. But you never know…

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I Call Them “Calliope Creations”

My latest obsession/ meditation/ artistic outlet is creating hanging wine bottle art. The first step? Drink the wine. (A tough job, but, yeah…) Then my hubby helps out by scoring and cutting the bottoms off the bottles. We sand away the sharp edges, then I go to work (play) adding beads and crystals and shells and rocks and sea glass and pinecones and anything else that catches my eye and inspires me.

Most of the bottles that initially inspired me come from a vineyard called DUCK WALK, in Southold, NY on Long Island. I love this vineyard because the wine is fabulous, the bottles and labels are beautiful, and also because it’s located near where I grew up in Cutchogue, NY. (Back then, current vineyards on the North Fork were typically potato and cauliflower fields.) I live in the Boston area now, but I get back as often as I can to visit old friends. And, of course, stock up on local wine.

After amassing a ridiculous number of these artistic hanging bottles in my home and running out of places to hang them, I came up with an idea. What if Duck Walk might be interested in selling some of my creations there, at the vineyard? People are there to do tastings and buy wine and enjoy occasional live music…and I imagined my bottles right there, looking all twinkly and pretty…

In a bold, hopeful move, I packed up a dozen of my bottles (for fun, I made sure every one featured a semi-hidden duck bead) and went to Duck Walk with a couple friends to offer my wares. The result? They took them on consignment. I was thrilled! I put this website address on the labels for Calliope Creations, but because of some technical difficulties with the camera, I’ve only just now figured out how to post the pics I took of the bottles.

The last I heard, most of the bottles were sold over the holidays–I’m so thrilled!–but I’m still toiling away, drinking wine (hey, it’s part of the job) and playing with beads and shells, so perhaps more will be made available soon. In the meantime, I’m targeting a local vineyard here in the Boston area.

I’m looking at you, Nashoba!

By the way, if you have a special wine bottle you’d like to see turned into art, hit me up… cal.armistead1@gmail.com.

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I Do It Because I Can’t Not Do It

One of my favorite questions to ask friends and acquaintances lately is this: What are three things you absolutely need in your life? I don’t mean love, health, sex, shelter, oxygen, the kind of thing everybody wants/needs. I mean the things you do when you have free time to do exactly what you want most to do.  And furthermore, if you’re unable to do these things, you don’t feel right. You’re “off.” It’s like your skin doesn’t fit quite right.

I love to ask this question, because it so often reveals someone’s unique passion or hobby. Like a friend who apparently trained dogs in her free time. How did I not know this? Or the woman sitting beside me at a wedding who crafted musical instruments out of strange objects. Or the high school kid whose hobby was real-life survival games. People can definitely surprise you. 

And so I ask you: What are the three things you do because you can’t not do them?

Here, I’ll share mine—not just because I need desperately to update this page with a new entry so I can finally replace the one about Christmas—but also because I’m feeling chatty. Besides, maybe you want to know. I mean, you’re here, right? On my page and all.  

No big reveal here, but WRITING is, and always has been, my first “thing.” And because it’s also my work, I’m one of those outrageously fortunate people who gets to do what I love most on a daily basis. OH, (she added excitedly), and lately, I’ve been taking classes to explore forms of writing I haven’t tackled before. This week, I’ll start my first Memoir class, and also the third round with Screenwriting. Yep, I’m so excited I can’t stand it. Big time writer geek. 

Second on my list tends to shift over the years. Right now, it’s ART. Especially making multi-media art, collage, and these hanging art things I call (for lack of a more creative, original term) “mobiles.”  I make them out of whatever I fancy in the moment…like beads, crystals, nature stuff like shells and feathers and pinecones, and miscellaneous mementos like keys and lockets and antique jewelry. And I’m learning how to make stained glass and mosaic. In short, I’m obsessed. (Clearly, I also like taking classes.)

Third on my list at the moment is MUSIC, although it used to run a close second. I think it’s because I’ve been able to feed my music passion over the years by doing so much of it. I was lead singer in a band for 6 ½ years, had a handful of leading roles in community theater (my favorite was Martha in “The Secret Garden”), and I’ve sung semi-professionally in an a cappella group for the past 18 years. But—true story—soon my group will be disbanding.  Without a regular fix of singing, will I experience withdrawal? Will I seek a new outlet? We will see…

There.

I have successfully replaced my Christmas entry, and had fun blathering on about myself for a little while. If you’re still with me now and have read all the way to the end, God love ya. And hey, tell me your three things. I want to know.

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Why I Can’t Take Down My Christmas Tree

(A momentary break from my blog journey)

I can’t bear to take down my Christmas tree and this fact consumes my thoughts today. I can’t do it. I still need it. But why? Usually I’m twitching to take it down as soon Christmas is over, in agreement with the adage: “Nothing is as over as Christmas when it’s over.”

Yet this year, I keep putting it off. I told myself and my family it was because of Covid and isolation; that the lights and colors still bring me joy in the darkness, so why not leave it up a little longer? 

But it occurs to me that I cling to this particular tree for a different reason: It is because I lost my dear, sweet Mom to Covid last month. This Christmas tree and this loss create for me a memory that I can’t let go, as if in some way it will mean letting part of her go, too.

It was 1:33 a.m on Monday, December 7th when I got the call from her nursing facility. Oddly enough, only moments before, I’d startled awake and looked around the bedroom and thought to myself, Wow, the house is so quietEverything is so quiet. Then the quiet was interrupted by the phone. And I knew.

I crept downstairs alone and turned on the Christmas tree lights, soft and beautiful in the dark, quiet house. Then I watched a classic holiday movie filmed when my mother was a young woman: It’s A Wonderful Life. Unable to bear the Uncle-Billy-loses-the money part, I fast-forwarded to Clarence, the angel. In those late night, wee-hour moments, I felt like I was holding Mom with me in the muted Christmas-tree lights and that old, familiar black-and-white movie. 

And now long past Epiphany, the usual tree-dismantling day, I keep insisting we don’t need to take the tree down, not yet. Sure, it is dry and drooping and sheds copious needles every day, but for me, its magnificence and solace are undiminished. 

The sight of this tree cradles me in a place where Mom is still with me. I know full well the tree is dead and eventually we must remove its decorations and red bows and garlands and lights; that we will have to haul it out back and sweep up the needles in its wake and move the furniture back where it belongs. I know that although I can rationalize for now that the Christmas tree should remain lit and glorious in its corner, this time too will pass.  

Soon I will need to make room in that corner and in my heart for the passage of time, because there is no way to deny its momentum. I need to accept the future, to roll forward with it into new seasons. It is a new year in a new time, the beginning of the first of everything I will now face without a mother. 

But for now, may I please take just a little more time? The tree is so lovely, still. See? The nights are so very quiet. And I miss my mother.

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Part 9: My Secret Obsession

 “So, how many entries there will there be in your blog journey?” my pal Sherry asked last night during a Zoom dinner with the husbands. The only response I could come up with was, “Um, I guess I’ll keep writing about this until I’m done writing about this.” 

I’m not sure yet what done will feel like. This stuff has been percolating for over four years, with over 2,000 pages of notes and messages and inspirations to draw on. I’ve been waiting (not always patiently) for “the fullness of time” in which it seemed right to share it, which came for me on Wednesday, January 6, 2021 with the siege of the Capitol. Maybe I’ll feel “done” after the inauguration on January 20th?  We’ll see…I’m following my gut through this whole adventure, so I’ll just keep doing that.

You know, come to think of it, this blog itself is an example of a Venn diagram. Right? There’s me. There’s you. And now, there’s This. It’s the almond-shaped site of connection, the mandorla we create together. The missing ingredient was you, all along. 

I’m going to keep this Saturday entry short. I’ve been so consumed by writing this past week that I’ve neglected other things. Like doing the laundry and taking down the Christmas tree (although it’s still so pretty with all the lights…hmm, maybe just a few more days…) and preparing meals for the family that are not microwavable leftovers or peanut butter sandwiches or takeout, again. 

So instead of going into detail now, I will simply share an image to serve as “a scene from the next episode.” Does anyone recognize it? Have you, perhaps, read The Mists of Avalon?

Anyway, more to come…

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(Chalice Well Cover, Glastonbury, Somerset, England)

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Part 8: My Secret Obsession

In which I explain: Why do Christians affix fish decals to the backs of their minivans, and why does the Pope wear a vagina hat for special occasions?

I want to go back to the symbol that started all of this, the one that haunted my daydreams and night dreams and nudged me and pestered me until I finally dug into research to see what the heck it was trying to tell me. 

The Venn diagram. 

It makes sense that this is the image that bombarded my thoughts as I’ve agonized over the state of our country and its heartbreaking divisions. If only a circle representing Republicans could do the Venn thing with a circle representing Democrats, just think of what could be learned in the place where they join—the place called mandorla, meaning “almond” in Italian. Within the mandorla, the two sets can clearly see the ways in which they are inexorably the SAME. 

This is a good place to interject that another image that keeps nudging me is that of a lens or a filter, something through which information can be brought into pure, lucid focus. If only we had such a lens, we could clearly see through the metaphysical malfeasance stuffed down our throats by unscrupulous people in power. We could see through our own potentially warped views of the world. I’m talking about a lens capable of clarifying Truth. Man, how useful would that be? 

With these two things demanding a closer look, I began my research. 

The definition in Wikipedia started with what we already know about Venn diagrams: they reveal similarities between different sets, a concept conceived by English mathematician, logician and philosopher John Venn in 1880.

I learned that another term for the almond-shaped place in the middle is vesica pisces, (or piscis) Latin for “bladder of a fish”, reflecting the shape’s resemblance to the conjoined dual air bladders found in most fish. (Aaaand it also looks like a fish…more later on that…)

When I looked up vesica pisces, I read these words: “Mathematically, the vesica pisces is a special case of a lens, the shape formed by the intersection of two disks.”

Gaaaah, and there it is. I almost fell off my chair. A lens! If we can figure out a way to peer through the lens-place where we connect, we can see things more clearly. Because that’s what lenses do. Holy crap!

This felt like a significant revelation, but the Venn diagram was far from done with me. As I’ve mentioned, I discovered that in pre-Christian times, people believed the vesica pisces represented the vagina of Venus. When I first read this, the hair on the back of my neck prickled. I’d been calling my female nighttime visitor Aphrodite, after the Greek goddess of Love. Venus is the Roman counterpart, the same goddess by a different name. It seemed like a sign that I was on the right track. 

So…let’s talk for a moment about vaginas. I’m a fan. It is literally the passageway to life, its opening designed to accommodate an infant’s skull as it enters the world. No wonder ancient people viewed the vesica pisces as a sacred symbol. It is fecundity, procreation, renewal. It represents the baffling miracle of life itself. 

The Greeks and Romans were not the first to embrace the vesica pisces as a mystical symbol. Long before John Venn conceived of his diagram in terms of mathematics, the Buddhists took note. The fish shape is a symbolic footprint of Buddha, and Buddha himself is described as a Fisher of Men. The vesica pisces can also be found in the history of Judiasm, Islam, Hinduism, Mitraisim, Zorostrianism, as well as the Celtic, Pagan, and Mayan cultures. 

And Christians? The Christians went crazy over the vesica pisces.

It makes sense. One circle of the Venn is EARTH. The other is HEAVEN. The union of both creates the Son of God, Jesus Christ, Fisher of Men. In fact, early Christians scrawled fish drawings on the outside of houses where fellow believers lived, so they’d know how to find each other and find shelter from persecution.

And this, my friend, is also why we see fish decals on the back of minivans on the highway to this very day. The Christian driver may not be aware of its history, but there it is. 

Why are there so many pointy-arched windows and doors in the Gothic architecture used in cathedrals and churches? The vesica pisces. Why do you so often see an icon of Christ or Mary, angels or saints, depicted inside an almond shape, such as Our Lady of Guadalupe? Now you know. It is a fish, it is a womb, it is the passageway to life, it is Christ, it is sacred.

Huh. I wonder if Pope Francis knows that the pointy hat he wears for special occasions is based on a symbol that is also the vagina of Venus? Ha. Frankly, I hope he does. I like to imagine he’s evolved enough to celebrate the symbolism. 

This is a lot. But it all seems to verify, at least to me, that my obsession means something, and I am set on a journey to understand more fully what that is. One reason I’m so hungry to share this with you, is because I believe that’s what this assignment has been about all along. To share, to generate thought and conversation, to plant seeds of inspiration and to create a Venn place to explore this concept together.

But there is still more to tell. 

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To catch up on past entries of this blog journey, click on this link and scroll down. Thank you for joining me! https://calarmistead.com

(Christ in Majesty, in a mandorla, surrounded by emblems of the evangelists. From the 13th Century. In the Musee de Cluny, Paris, France.)

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